I’m a narrative nonfiction writer whose subjects range from politics to professional football, from racial conflict to environmental destruction, from inner-city public education to social justice to spinal cord injury. The settings for my books range from the Galapagos Islands to the swamps of rural Florida, to Arctic Alaska. I typically live with and among my subjects for months at a time, portraying their lives in an intimately personal way.
I wrote
Eagle Blue: A Team, a Tribe, and a High School Basketball Season in Arctic Alaska
This book is similar to mine, following a team of high school basketball players through a season, but it’s set in an urban environment: Brooklyn’s Coney Island. The boys it focuses on are African-American, the off-court struggles they and their community face (crime, violence, drug use, the lure of the streets, and the corruption of college basketball recruiters) differ from those that challenge the kids in remote Alaska, but the joy and solace they find in the game itself are the same. The writing is terrific—lucidly and intimately bringing to life the four boys whose lives it focuses on.
Darcy Frey chronicles the aspirations of four young men as they navigate the NCAA recruitment process, their only hope of escape from a life of crime, poverty, and despair.
It ought to be just a game, but basketball on the playgrounds of Coney Island is much more than that. In The Last Shot, the aspirations of a few of the neighborhood's most promising players reveal that what they have going for them (athletic talent, grace, and years of dedication) may not be enough to defeat what's working against them: woefully inadequate schooling, family circumstances that are often desperate, and the…
While this book mirrors the template of Darcy Frey’s book and my own, following a high school basketball team through an entire season, the setting—an upper-class, genteel community of white suburbanites in Amherst, Massachusetts—is a world away from that of those stories, and, most importantly, the athletes are female. The Pulitzer Prize-winning author, through her elegant writing, brings a piercing understanding of the obstacles these girls face in the wake of Title IX as they prove their toughness, perseverance, and abilities in a sport traditionally dominated by men.
Originally published in 1995 to huge critical acclaim and a finalist for the NBCC Award for Nonfiction, Madeleine Blais's In These Girls, Hope Is a Muscle is a modern sports writing classic. Now expanded and updated with a new epilogue, Blais's book tells the story of a season in the life of the Amherst Lady Hurricanes, a powerhouse girls' high school basketball team from a small western Massachusetts college town. The Hurricanes were a talented team with a near-perfect record, but for five straight years, when it came to the crunch of the playoffs, they somehow lacked the scrappy, hard-driving…
While the titles mentioned so far focus on high school teams spending their winters inside gymnasiums with referees on the court and fans in the bleachers, this one, written vibrantly by a staffer for Sports Illustrated magazine, shifts outside, to a blistering hot summer on the asphalt courts of Flatbush in Brooklyn, where teenage boys (including future legends Fly Williams and Albert King) and full-grown men play a tougher game, replete with trash-talking, flashy in-your-face moves, and tests of manhood that often turn to violence, with no officials to enforce order or rules, and few bystanders besides aging ex-athletes betting a few dollars on the outcomes, and other pickup teams waiting to take on the winners. As on inner-city playgrounds across the country, the game of basketball offers a rare respite from otherwise grim lives framed by poverty and the almost complete absence of hope.
In 1974, Rick Telander intended to spend a few days doing a magazine piece on the court wizards of Brooklynâs Bedford-Stuyvesant. He ended up staying the entire summer, becoming part of the playersâ lives and eventually the coach of a loose aggregation known as the Subway Stars. Telander tells of everything he saw: the on-court flash, the off-court jargon, the late-night graffiti raids, the tireless efforts of one promoter-hustler-benefactor to get these kids a chance at a college education. He lets the kids speak for themselves, revealing their grand dreams and ambitions. But he never flinches from showing us how…
Bill Bradley was as far from a typical college and NBA superstar as can possibly be imagined. He was 6’5” but could barely dunk. In a race between the tortoise and the hare, he would be the tortoise. Yet, with an uncanny set of shooting, passing, and rebounding skills, he became the nation’s top high school prospect, with more than 70 colleges, including every powerhouse in the sport, offering him a scholarship. Instead, he chose to play at lowly Princeton, in one of the game’s weakest conferences—the Ivy League—where he averaged more than 30 points a game over the course of his career, becoming a two-time first-team All-American and, in his senior season, national player of the year, leading the Tigers to the 1965 NCAA tournament’s Final Four, in which he scored an unheard of 58 points against Wichita State and was named the tournament’s MVP—the only player to this day to win that award for a team that did not win the event (The Tigers finished third). He was just as successful in the NBA, becoming an All-Pro with the New York Knicks, whom he led to two world championships during his ten-year career, and upon retirement, had his jersey number retired by the Knicks.
Off the court, he was even more impressive, earning a Rhodes Scholarship after graduating from Princeton, then, following his NBA career, became a three-term U.S. Senator from New Jersey before running for the 2000 Democratic nomination for the presidency, which he lost to Al Gore. He played the political game much as he played the game of basketball—with understated grace, elegance, efficiency, and unselfishness, all of which are superbly captured in this early (1965) biography, written by one of the finest craftsmen ever in the field of narrative nonfiction, the incomparable New Yorker magazine staff writer John McPhee.
The first book from the legendary New Yorker writer John McPhee, tells about Bill Bradley when he was the best basketball player Princeton had ever seen.
When John McPhee met Bill Bradley, both were at the beginning of their careers. In A Sense of Where You Are, McPhee delineates for the reader the training and techniques that made Bradley the extraordinary athlete he was, and this part of the book is a blueprint of superlative basketball. But athletic prowess alone would not explain Bradley's magnetism, which is in the quality of the man himself—his self-discipline, his rationality, and his sense…
In this thoughtful, philosophical autobiography, the winningest player in NBA history uses his storied career with the Boston Celtics as a cogent window into the broken promises—mostly racial—of the American Dream. Co-written with historian Taylor Branch, whose trilogy on the life of Martin Luther King, Jr., won the Pulitzer Prize, Russell, who has devoted as much of his life to activism in the cause of social justice as to the game of basketball, shares the life lessons he has learned on the court, from his schoolboy days in Louisiana to his All-American stint at the University of Seattle, to his record-setting career with the Celtics, where he won an astounding eleven championship rings in thirteen years. This book was published in 1979, but its insights are as relevant and penetrating today as they were then.
The perceptive, controversial, and idiosyncratic basketball star recounts the decisive events of his life and career, offers an inside look at professional basketball, and sounds off about freedom, race, marriage, religion, and American culture
In October of 2004, I flew from my home in Norfolk, Virginia, to the tiny Arctic village of Fort Yukon, Alaska, where I rented a small cabin and spent the next six months climbing into the day-to-day lives of the community’s indigenous Native population while shadowing the village’s boys high school basketball team through the course of an entire season as they, their families, and their neighbors faced a myriad of challenges (poverty, inadequate schooling, alcoholism, suicide, teen pregnancy, and the loss of their traditional culture) while clinging to the one thing that gives their community hope and pulls together most of the state’s 200 “bush” villages: the game of basketball.
I have been to, and loved, North, Central, and especially East Africa for over fifty years. Only six times have I been to Africa on holiday; more often, perhaps twenty or more times, as a television producer. Working in Africa gains a perspective of reality that the glories of vacation do not. Each has its place, each its pitfalls like stalled plane rides with emergency landings in the bush or attacks by wildlife. But, in the end, the magic of the “otherness,” what an old friend called “primitava” captures one’s soul and changes your life.
Keen to rekindle their love of East African wildlife adventures after years of filming, extreme dangers, and rescues, producer Pero Baltazar, safari guide Mbuno Waliangulu, and Nancy Breiton, camerawoman, undertake a filming walking adventure north of Lake Rudolf, crossing from Kenya into Ethiopia along the Omo River, following a herd of elephant making their annual migration.
Stumbling onto an elephant poaching, the team become embroiled in true financing of terrorism for al Shabaab –ivory sales–and are determined to stop the slaughter at any cost. Ivory trade financing terrorism involves UN refugee camps with two hundred thousand displaced Somali persons, powerful…
A documentary team hiking through East Africa collides with a gang of deadly poachers, in this gripping adventure by the author of Kidnapped on Safari.
Years of filming, extreme dangers, and daring rescues have taken their toll on documentary producer Pero Baltazar and his team. To relax and reconnect with the East African wildlife they love, Pero organizes a walking safari for him, his camerawoman Nancy Breiton, and their elite guide Mbuno Waliangulu. Still, Pero has trouble truly disconnecting from work. When the team comes across a herd of elephants making their annual migration north of Lake Rudolf, Pero decides…
